1.6.20 · Physics › Oscillations & Waves
Do tuning forks jo almost same pitch ke hain, unhe saath bajao. Aapko do notes nahi sunenge — aapko EK note sunegi jiska loudness rhythmically swells aur fades karta hai: waah... waah... waah . Woh throbbing hi beat hai.
YEH KYUN HOTA HAI? Do slightly different frequencies drift in and out of step karte hain. Jab unke crests line up hote hain → loud (constructive). Jab crest meets trough → silent (destructive). Jis rate se woh re-synchronise karte hain woh hai beat frequency .
Jab do waves ki slightly different frequencies (f 1 ≈ f 2 ) aur similar amplitude hoti hain aur ek point par superpose karti hain, to resultant amplitude periodically rise aur fall karti hai. Intensity ka yeh periodic waxing aur waning beats kehlata hai. Ek poora loud→soft→loud cycle = one beat .
HUMEIN KYA CHAHIYE: ∣ f 1 − f 2 ∣ chhota hona chahiye (typically < 10 Hz) taaki ear slow envelope resolve kar sake. Agar difference zyada ho, to aap bas do alag notes sunenge.
Superposition principle se displacements add hote hain:
y = y 1 + y 2 = a cos ( 2 π f 1 t ) + a cos ( 2 π f 2 t )
Yeh step kyun? Sound waves linear superposition follow karti hain — medium ka response sirf sum karta hai.
Identity use karo cos C + cos D = 2 cos 2 C − D cos 2 C + D :
y = 2 a slow envelope cos ( 2 π 2 f 1 − f 2 t ) fast audible tone cos ( 2 π 2 f 1 + f 2 t )
Intuition Do factors ko padhna
Fast factor average frequency f a v g = 2 f 1 + f 2 par oscillate karta hai — yahi pitch hai jo aap sunते hain .
Slow factor, 2 a cos ( 2 π 2 f 1 − f 2 t ) , ek slowly-changing amplitude (envelope) hai. Yeh loudness ko modulate karta hai.
Woh extra factor of 2 derivation ki jaan hai — isko miss karo to answer adha ho jata hai.
Common mistake Steel-man: "Beat frequency
2 f 1 − f 2 hai"
Yeh sahi kyun lagta hai: Envelope literally 2 f 1 − f 2 par oscillate karta hai, aur woh term formula mein saaf dikh raha hai. Naturally aap usi ko beat rate bologe.
Fix: Ek beat ek loudness maximum hai, aur loudness ∝ ∣ A ( t ) ∣ 2 ∝ cos 2 . Zero ke upar wala bump AUR zero ke neeche wala bump dono loud hain, isliye maxima double rate par aate hain. Beat frequency = ∣ f 1 − f 2 ∣ , bas.
Worked example Example 2 — Sign ambiguity (fork ko loading karna)
Ek unknown frequency ka fork 3 beats/s deta hai 384 Hz standard ke saath. Unknown 381 ya 387 ho sakta hai. Kaise decide karein?
Step: Unknown fork par wax ka chhota sa blob lagao → uski frequency decrease hoti hai.
Kyun? Wax mass add karta hai, f = 2 π 1 k / m ko lower karta hai.
Observe: Agar beats increase hoin (3→4...), unknown 384 se upar tha → woh 387 tha (decrease hone ke baad further away move kiya? nahi — toward aur past move kiya). Dhyan se reason karo:
Agar unknown = 387 hai: loading use 384 ki taraf lower karta hai → beats decrease hoti hain.
Agar unknown = 381 hai: loading use 384 se aur door lower karta hai → beats increase hoti hain.
Answer: Beats decrease hoin ⇒ 387 Hz; beats increase hoin ⇒ 381 Hz. Wax trick woh ± sign resolve karti hai jo ∣ f 1 − f 2 ∣ chhupa deta hai.
Worked example Example 3 — Forecast-then-Verify
Forecast: Do organ pipes 300 Hz aur 306 Hz par. Predict karo (a) audible pitch, (b) beat frequency, (c) successive silences ke beech ka time.
(a) Pitch = 2 300 + 306 = 303 Hz.
(b) f b e a t = 6 Hz.
(c) Time per beat = 1/ f b e a t = 1/6 s ≈ 0.167 s.
Verify: Silences (complete destructive) ek beat mein ek baar repeat hoti hain, isliye har 0.167 s mein. ✓ Consistent.
Recall Feynman: 12 saal ke bachche ko samjhao
Socho do dost almost same speed se taali baja rahe hain. Pehle woh saath taali bajate hain — LOUD. Dheere dheere ek aage nikal jata hai, isliye ek doosre ke gaps mein taali bajata hai — steady/quiet lagta hai. Phir woh line up ho jaate hain — LOUD phir se. Woh swelling "loud-quiet-loud" hi beat hai. Unki clapping speeds mein jitna zyada fark, utni baar woh line up aur split apart hote hain — isliye bada frequency difference faster beats deta hai. "Loud moments" ki sankhya per second exactly itni hai jitni extra taaliyaan ek dost doosre se zyada bajata hai per second.
useful kyun hain, sirf curious nahi
Beats ek tiny, invisible frequency difference ko ek slow, countable rhythm mein badal dete hain jo aapka ear fractions of a hertz tak measure kar sakta hai — ek free, ultra-sensitive comparator.
Musical instruments tune karna: Ek string ko reference ke against tune karo jab tak beats khatam na ho jaayein (f b e a t = 0 ⇒ exact match).
Unknown frequency determine karna: f u nk n o w n = f k n o w n ± f b e a t ; sign wax/file trick se resolve karo (Example 2).
Gas leaks detect karna / "beat-frequency oscillators" (heterodyne): ek signal ko reference ke saath mix karna aur beat padhna radio tuning aur Doppler-shift measurements ka basis hai.
Speed/Doppler radar: transmitted aur reflected frequencies ke beech ka beat target ki speed deta hai.
"DIFFERENCE sunate ho, AVERAGE pitch hai, dip ke liye double karo."
Beat rate = DIFF erence ∣ f 1 − f 2 ∣ .
Jo note sunate ho = AVERAGE 2 f 1 + f 2 .
"Double" yaad dilata hai ∣ cos ∣ twice peak karta hai → factor 2 wale 2 1 ko cancel karta hai.
Beats sunne ke liye do frequencies par kya condition chahiye? Woh slightly different honi chahiye (∣ f 1 − f 2 ∣ chhota, typically < ~10 Hz) taaki ear slow envelope resolve kar sake.
Beat frequency formula batao. f b e a t = ∣ f 1 − f 2 ∣ .
Aap pitch ke roop mein actually kaunsi frequency sunते ho? Average, f a v g = 2 f 1 + f 2 .
Beat frequency ∣ f 1 − f 2 ∣ kyun hai na ki 2 ∣ f 1 − f 2 ∣ ? Loudness ∣ A ( t ) ∣ (ya A 2 ) par depend karti hai; ∣ cos ∣ ke ek envelope cycle mein do maxima hote hain, rate double ho jaati hai.
Derivation mein kaunsi trig identity use hoti hai? cos C + cos D = 2 cos 2 C − D cos 2 C + D .
Ek fork 384 Hz standard ke saath 3 beats/s deta hai; wax lagane par beats decrease hoti hain. Unknown find karo. 387 Hz (wax use 384 ki taraf lower karta hai, beats reduce hoti hain).
Wax se fork load karne par frequency kyun decrease hoti hai? Added mass
m ko
f = 2 π 1 k / m mein increase karta hai,
f decrease karta hai.
Beats ke do practical applications batao. Instruments tune karna (zero beats = match) aur unknown frequency find karna / heterodyne radio aur Doppler radar.
6 Hz beats mein successive silences ke beech ka time? 1/6 s ≈ 0.167 s (one beat period).
Superposition Principle — beats iska direct consequence hain.
Interference of Waves — beats time mein interference hain (vs. spatial interference patterns).
Standing Waves — same superposition algebra, lekin do opposite-direction equal waves.
Doppler Effect — woh frequency shift deta hai jo radar mein beat ki tarah read hota hai.
Simple Harmonic Motion — wax-loading argument f = 2 π 1 k / m use karta hai.
Amplitude Modulation — same envelope mathematics radio mein.
apply cosC + cosD identity
Average freq f avg = f1+f2 over 2
Loudness swells and fades
cos peaks twice per cycle