3.2.13 · D5Exponentials & Logarithms

Question bank — Logarithmic scale — decibels, Richter, pH

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True or false — justify

Each statement is either true or false. Say which, then give the one-sentence reason — the reason is the point, not the verdict.

A magnitude 8 earthquake shakes the ground twice as hard as a magnitude 4
False. The scale is logarithmic, so the amplitude ratio is times, not .
Two identical 50 dB speakers together produce 100 dB
False. Decibels are logarithms and don't add; doubling the intensity adds only dB, giving 53 dB.
A pH of 0 is impossible because you can't take the log of a negative number
False. pH 0 means mol/L, a perfectly valid (very acidic) concentration; the log's argument is positive.
Moving from pH 3 to pH 5 makes a solution 100 times less acidic
True. falls by , and less means less acidic — the minus sign flips the direction.
On any log scale, equal steps correspond to equal ratios of the underlying quantity
True. Because depends only on the multiplier , one fixed step always means one fixed ratio, wherever you start.
dB means "total silence"
False. dB means , the threshold of hearing (); true silence would be , whose log is .
Halving sound intensity changes the level by dB
True. dB — the exact mirror of the "+3 dB doubling" rule.
The Richter scale can never produce a negative magnitude
False. If ground amplitude then , giving a genuine negative magnitude for very tiny tremors.
Decibels have physical units of watts
False. A decibel is a pure number (a ratio inside a log); the physical units of intensity cancel in , so dB is dimensionless.

Spot the error

Each line contains a flawed step. Find where the reasoning breaks and state the fix.

"pH "
The product rule gives a sum, not a product: , so it should be .
"60 dB source plus a 40 dB source = 100 dB total"
You cannot add dB; convert to intensities and , add those to get , then gives ≈60.04 dB — the quiet source barely matters.
"Magnitude ratio , so a 7 is 1.4× a 5"
You must subtract then exponentiate: ; ratios of scale values are meaningless, ratios of the quantity are what count.
"To un-log , write "
The factor of 10 was divided off first: , so , not .
"pH 7 water has zero hydrogen ions because gave 7, a whole number"
pH 7 means mol/L — small but nonzero; a whole-number pH just means the concentration is an exact power of ten.
"Since , two 60 dB sources give ... wait that's fine"
The identity quoted is wrong (), but the method is right — you correctly add the intensities inside the log; just never claim the false identity.
"Each pH unit is ×10 acidity, so pH 2 is times pH 1's acidity"
Each unit is ×10 per step, and there is one step from 1 to 2, so it's times, not ; you multiplied instead of using the exponent.

Why questions

Explain the reason, not just the rule.

Why does the change depend only on the ratio and not on the starting intensity?
Because the product rule splits , so the starting term cancels in the subtraction, leaving .
Why is there a minus sign in pH but not in decibels?
is a tiny number like whose log is negative; the minus flips it to a friendly positive value so "more acid → lower pH" reads naturally.
Why choose base 10 for all three scales rather than base ?
Base 10 makes "one step = one power of ten" line up with our decimal intuition about orders of magnitude; any base works but 10 reads cleanest.
Why did engineers use deci-bels instead of bels?
One whole bel (a factor of ×10) is too coarse for fine loudness distinctions, so tenths of a bel — decibels — give a usable resolution, which is where the factor of 10 comes from.
Why do our ears, earthquakes, and acids all suit a log scale?
They respond multiplicatively — equal ratios feel like equal steps (the Weber–Fechner idea) — and a log is exactly the tool that turns equal ratios into equal additive steps.
Why can't you just add two speakers' decibel readings?
dB is already a logarithm of intensity; only the physical intensities are additive, and , so you must add intensities first.
Why is +3 dB such a famous "round" number to audio people?
Because , so +3 dB is almost exactly a doubling of intensity — a memorable shortcut straight from the product rule.

Edge cases

Boundary and degenerate inputs — where naive rules wobble.

What is the dB level of perfect silence, ?
Undefined / : has no value, so the scale simply has no bottom — the "0 dB" floor is the threshold of hearing, not silence.
What Richter magnitude does a wave with give?
Exactly , since — the reference amplitude is the natural zero of the scale.
Can pH exceed 14 or drop below 0?
Yes — 0–14 is just the common range for dilute solutions; concentrated acids can give negative pH and strong bases can exceed 14 because can be or extremely small.
What happens to if the quantity stays the same, ?
— no change in level, exactly as expected when nothing multiplies.
If intensity is divided by 10, what is in dB?
gives dB — the scale drops by a full ten, mirroring the +10 dB of a ×10 increase.
A solution's is halved — how does pH change?
pH rises by ; halving the acid nudges pH up by about 0.3, the pH twin of the "3 dB" fact.
What magnitude corresponds to zero ground shaking, ?
Undefined (); a completely still ground has no magnitude, so the scale only describes actual (nonzero) motion.
Two sources differ by 20 dB — how do their intensities compare, and does the quiet one matter when combined?
apart; adding the quiet one changes the total by dB, i.e. negligibly.

Connections

  • Parent — the topic these traps drill.
  • Laws of Logarithms — the product/quotient rules behind nearly every fix above.
  • Exponential Functions — the inverse used when we un-log a scale value.
  • Change of Base Formula — why base 10 is the natural choice.
  • Weber–Fechner Law — the perceptual "why" for decibels.
  • Orders of Magnitude — "counting powers of ten" is the log scale in one phrase.