3.5.41 · D1Guidance, Navigation & Control (GNC)

Foundations — Bode plot — magnitude and phase vs frequency

2,233 words10 min readBack to topic

This page assumes nothing. If the parent note used a symbol without building it, we build it here, in the order that lets each idea rest on the one before.


1. A sine wave, and its three knobs

Before we can talk about "how big" or "how late", we need to agree on what a sine wave is and what we are allowed to change about it.

Figure — Bode plot — magnitude and phase vs frequency

Look at the figure. The black wave is the reference. The red wave has the same speed but is shifted — that shift is the phase . Its height is different — that is the amplitude . These two differences, amplitude and phase, are the only two things a well-behaved system does to a sine. That is why the whole topic is exactly two graphs.

vs
is time (seconds). is angular frequency (radians per second) — how many radians of the circle you sweep each second.
Amplitude in one word
Height.
Phase in one word
Timing (how shifted left/right).

2. Frequency and the log axis

(the Greek letter omega) is our shaking speed. A control system cares about speeds from very slow (fuel sloshing, ~0.01 rad/s) to very fast (metal bending, ~1000 rad/s) — a range of a hundred thousand to one.

Why we need it: on a normal ruler, 0.01 and 1000 can't share a page — one is a speck at the origin, the other is off in the next room. On a log axis, each ×10 step (a decade) takes the same amount of space, so all the speeds fit and spread out evenly.

Decade vs octave
A decade is ×10. An octave is ×2. Bode slopes are quoted per decade.
, because .

3. Complex numbers: one arrow that stores both answers

Here is the clever bit. We need to report two numbers at each frequency (amplitude change and phase shift). A complex number is a single object that packs exactly two numbers — a length and an angle. Perfect fit.

Figure — Bode plot — magnitude and phase vs frequency

In the figure the red arrow is the complex number. Its length is drawn; its angle from the rightward axis is marked. The two descriptions are the same arrow.

Why the topic needs this: the frequency response is an arrow whose length tells you the amplitude change and whose angle tells you the phase shift. One complex number, both answers — then we split it into the two Bode graphs.

means...
"point up" — the marker for the vertical (imaginary) part of the arrow.
The magnitude of
.

4. — the angle-finder (why this tool)

The parent note keeps writing . Where does it come from?

Look again at the arrow in §3. Its tilt angle sits inside a right triangle: the horizontal side (adjacent to the angle) and the vertical side (opposite the angle). The tangent of that angle is defined as

This ratio is the arrow's steepness — a steep arrow (big , small ) has a large tangent. So the ratio secretly encodes the angle.

Why this tool and not another: to get the phase we have an arrow's side lengths and want its angle. Tangent maps angle → ratio; we have the ratio and want the angle, so we need tangent's inverse. That is exactly .

— the angle whose opposite equals its adjacent (a 45° tilt).
undoes...
tangent.

5. — a spinning unit arrow

The parent writes and . What is this?

Figure — Bode plot — magnitude and phase vs frequency

In the figure the red dot rides the unit circle; its height is and its shadow on the floor is . So is a hand spinning at speed — and its horizontal shadow is exactly , our sine wave. This is why the topic uses : it is a sine wave in disguise, and complex exponentials are far easier to push through a system than raw sines.

has length...
exactly (it lives on the unit circle).
(arrow pointing right).

6. Transfer function and the substitution

(a constant)
a plain number multiplying the whole thing — a flat gain, no frequency dependence.
(corner frequency)
the special speed where a pole or zero "kicks in" — its factor has real and imaginary parts equal.
(integrator count)
how many factors of — each one is a pure integrator.

7. Decibels: turning gain into a friendly number

Why the 20 and not 10: a Bode magnitude is an amplitude ratio, but power grows as amplitude squared. Since , the power-decibel becomes for amplitude. (This is one of the parent's main "mistakes to avoid".)

Why decibels at all: combined with the log-frequency axis, they make each simple factor's contribution a straight line, and products become sums of lines you add by eye.

dB means gain = ?
(unchanged amplitude), since .
Why 20 not 10
magnitude is amplitude; power ∝ amplitude², and .

8. How it all feeds the topic

Sine wave A cos of omega t plus phi

Amplitude and Phase are the two outputs

Angular frequency omega

Log frequency axis

Logarithm base 10

Decibels 20 log of gain

Complex number as an arrow

Magnitude equals length

Argument equals angle

tangent and arctan

Euler spinning arrow e to the j theta

Transfer function G of s

Substitute s equals j omega

Frequency response G of j omega is an arrow

Magnitude plot in dB

Phase plot in degrees

Bode plot

Every arrow in this map is a "you need this before that". Trace any path and you reach the two Bode graphs.


Equipment checklist

Reveal each only after you can answer it out loud.

I can state the three knobs of a sine wave
Amplitude (height), angular frequency (speed), phase (timing shift).
I know what is and why
, because ; a log turns ×10 into +1.
I can convert a complex number to length + angle
(length), (angle).
I know why we use for phase
We have an arrow's side ratio and want its tilt angle; arctan undoes tangent to give the angle.
I know why plain is safe for pole/zero factors
Those factors have real part , so the arrow stays in the right half-plane where arctan is correct.
I can read as a picture
A length-1 arrow tilted at ; spinning it at speed gives , whose shadow is .
I know why we set
To sample the system's response to a pure sine of speed ; becomes an arrow whose length is gain and angle is phase.
I know why decibels use 20, not 10
Bode magnitude is an amplitude ratio and power ∝ amplitude², so .
I know why the frequency axis is logarithmic
Control systems span many decades; log spacing fits them all and makes simple factors into straight lines.

When every line above reveals nothing new, you are ready for the parent note.