This page assumes you have seen nothing. We build each symbol from a picture before it is ever allowed into an equation. By the end you can read the parent note Thin airfoil theory line by line.
Before any symbol, fix the picture in your head. Slice a wing with a knife straight across, look at the cut face. You get a thin sliver of a shape — thick-ish near the front, tapering to a sharp point at the back. That 2-D cross-section is the whole game. Everything on the parent page is about this flat-ish sliver sitting in a wind.
Figure s01 — a side-on wing slice. The lavender outline is the physical skin; the dashed slate line is the straight chord from leading edge (LE, front) to trailing edge (TE, sharp back). This picture defines what "2-D airfoil", LE, TE and the chord length c mean before any algebra.
Why does the parent page always write V2 (V squared), never plain V? Because lift comes from pressure, and the pressure a moving fluid can exert grows with the square of speed (double the speed, four times the punch). We meet this square again in §7 as the 21ρV2 inside the lift coefficient.
Figure s02 — the mint arrows are the freestream wind V; the lavender bar is the chord. The coral arc is the angle of attack α, swept from the wind up to the chord. The curved coral rotation arrow marks the positive (nose-up about the LE) sense. The visual point: α is purely the tilt of the wing relative to the wind, and positive means nose-up.
A flat card can lift when tilted. But real wings are gently curved even when not tilted — like a shallow smile. That curve is camber, and it lets the wing scoop air down for free.
Figure s03 — the lavender arch is the camber line z(x); the dashed line is the chord (z=0). The two coral tangent segments show the local slope dz/dx: positive (uphill) near the front, negative (downhill) near the back. This is the picture behind the derivative dz/dx.
Why this exact tool (a derivative)? The boundary condition on the parent page says air must flow along the surface. To know the direction the surface points at each spot, you need its local slope — and "slope of a curve at a point" is precisely what a derivative dz/dx means. No other tool answers "which way is the skin facing right here?"
Before we can write β, we must meet a new bookkeeping variable θ that the theory uses to walk along the chord.
Figure s05 — the change of variable x=2c(1−cosθ). A point moving at constant speed in θ around the lavender half-circle (top) projects (coral dashed drop-lines) onto the chord (bottom). Notice how equal steps in θ crowd near the LE and TE — that is the "bunching near the edges" the theory wants.
Recall Why does camber act like extra angle of attack?
Because a curved-down-at-the-back line already points the trailing flow downward even when the chord is level — geometrically the same as tilting a flat plate. So camber and tilt add: α+π2β. ::: They add because both do the same job — deflect air down — so their effects sum inside one bracket.
Here is the heart. Imagine walking a big loop all the way around the sliver and, as you walk, keeping a running tally: is the air along my path helping me forward or fighting me? Add up (air-speed-along-my-step) × (length of step) all the way round. That total is the circulation.
Figure s04 — the dashed slate loop is the path you walk. Coral arrows (top) show fast air, mint arrows (bottom) show slow air; walking the loop clockwise, the fast top run dominates, giving a positive tally Γ>0. This picture fixes both the meaning and the sign of Γ.
Figure s06 — two candidate flows at the trailing edge. Left (coral, ✗): flow whips around the sharp corner at huge speed — physically impossible. Right (mint, ✓): the Kutta condition, flow leaves the TE smoothly and parallel. Only the right one occurs, and demanding it fixes the circulation Γ.
Why work per-slice? Because our whole picture is a 2-D cross-section. Everything we compute is for the sliver, so all answers naturally come out "per metre of span."
Real wings are curved solid skin. That is hard. The clever move: replace the wing with a line of infinitely many tiny spinning points laid along the chord, each contributing a sliver of swirl.
Add up all those tiny spins and you recover the whole circulation:
Γ=∫0cγ(x)dx
The parent note's Steps 3–5 are all machinery to find this γ(x) — the Kutta condition fixes its value at the trailing edge, Biot–Savart law gives the downwash it induces, and Glauert's integral and Fourier coefficients solves the whole sheet — then integrate it into Γ, then feed Γ into L′=ρVΓ. That is the entire pipeline.
Reading the map in words (for anyone who can't render it): Start at the two air properties on the left — air density ρ and freestream speed V — both feed directly into Kutta–Joukowski (L′=ρVΓ). The third input to Kutta–Joukowski is the circulation Γ, and Kutta–Joukowski outputs the lift per unit span L′. Where does Γ come from? Several streams flow into it: the angle of attack α, the camber parameter β, the vortex sheet γ(x), and — crucially — the Kutta condition that fixes its size. The camber parameter β is itself built from the camber line z(x) and its slope and the chord-angle variable θ, while the vortex sheet is laid along the chord c. Finally L′ feeds both the lift coefficient cℓ and the whole thin-airfoil-theory topic. So the dependency chain is: geometry knobs (α, β from z(x) and θ, c) + the Kutta condition → circulation Γ → (with ρ, V) Kutta–Joukowski → lift L′ → cℓ and the topic.