2.5.9 · D4Optics

Exercises — Aberrations — chromatic, spherical (concepts)

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Level 1 — Recognition

L1.1 — Which colour focuses closest?

A simple converging glass lens is illuminated with white light. Blue, yellow, and red light each form a focus on the axis. Rank the three focal distances from lens, smallest first.

Recall Solution

WHAT we use: from the lensmaker's equation. WHY: glass is dispersive, so (blue index biggest, red smallest). A bigger means a bigger , hence a smaller . Answer: blue closest, then yellow, then red farthest:

L1.2 — Name that defect

For each statement say whether it describes chromatic (C) or spherical (S) aberration.

  1. Appears even for a single wavelength.
  2. Caused by changing with .
  3. Cured by stopping down the aperture.
  4. Cured by an achromatic doublet.
  5. Worst for rays far from the axis.
Recall Solution
  1. S — spherical is monochromatic (parent §2).
  2. C — colour dependence is the definition of chromatic.
  3. S — stopping down removes marginal rays, the SA offenders (not the colour split).
  4. C — the doublet balances two dispersive powers.
  5. S — SA grows with ray height ; it is a marginal-ray effect.

Level 2 — Application

L2.1 — Longitudinal chromatic spread

A thin crown lens has , with , , . Find (a) the dispersive power and (b) the axial separation between the red and blue foci.

Recall Solution

(a) WHAT: apply . WHY: is the fractional focal spread per unit of . (b) WHAT: use (parent's boxed longitudinal result). WHY: it converts the fractional spread into a real length. Blue's focus sits ~3.1 mm nearer the lens than red's.

L2.2 — Focal shift from the boxed formula

Using , if going red→blue raises the index by for a lens with and , find and say which way moves.

Recall Solution

WHAT: plug into the boxed differential. WHY: it directly relates a small index change to a small focal change. The minus sign means shrinks — the bluer light focuses closer, exactly as expected.


Level 3 — Analysis

L3.1 — Design an achromatic doublet

You want a doublet of total focal length (, taking in metres). Crown glass has , flint has . Find the individual powers (crown) and (flint), and their focal lengths.

Recall Solution

WHAT we set up: two thin lenses in contact obey , and the achromatic condition is (parent's boxed result). See Achromatic Doublet. WHY two equations: we have two unknowns ; one equation fixes the power, the other fixes the colour correction. From the second, . Substitute into the first: Focal lengths: (converging crown), (diverging flint). Sanity: , — opposite signs, as forced by . ✓

L3.2 — Why marginal rays cross early

Using the expansion , explain in one line each: (a) why the leading correction is third-order, (b) why it makes marginal rays bend more, (c) how the blur scales with aperture radius .

Figure — Aberrations — chromatic, spherical (concepts)
Recall Solution

(a) The next term after is — the first neglected term in the paraxial (small-angle) formula, hence "third-order" or Seidel. There is no term because is odd. (b) The true is smaller than , so Snell's law delivers slightly more bending toward the axis than the linear formula predicts. Marginal rays (large ) feel this most and cross the axis sooner → focus nearer. (c) Since (ray height) in the Paraxial Approximation regime, the term scales as . Look at the figure: the outer (coral) rays cross at the near point, the inner (mint) rays cross at the paraxial focus.


Level 4 — Synthesis

L4.1 — Aperture and the circle of least confusion

The lateral spherical-aberration blur radius grows as for a constant . A lens gives a blur of at full aperture . (a) What blur remains at ? (b) By what factor must you stop down to reach a blur?

Recall Solution

(a) WHAT: use the cube law . WHY: the correction term is . (b) Set , so . Stop down to half the radius (one aperture-radius halving = three f-stops in area terms).

L4.2 — Combine both aberrations

White light passes through the single crown lens of L2.1 (, ) which also has spherical aberration giving longitudinal SA at full aperture. (a) Which is larger on-axis: the chromatic spread or the longitudinal SA? (b) If you stop the aperture to half radius, does the comparison change? Explain.

Recall Solution

(a) Chromatic (from L2.1); longitudinal SA . At full aperture SA is larger (). (b) WHAT changes: longitudinal SA also scales as (it is while lateral blur is ). Halving gives . Chromatic spread is unchanged by aperture (it is a focal-length shift, independent of ), so it stays . Conclusion: after stopping down, chromatic now dominates (). This is exactly why fast lenses fight SA with shape and colour with a doublet — different levers for different heights.


Level 5 — Mastery

L5.1 — A parabola beats the sphere (numeric)

A concave mirror of radius has paraxial focal length . For a marginal ray hitting at height , the spherical mirror's marginal focus falls short of the paraxial focus by approximately (a) Compute . (b) State why a paraboloid would give for this on-axis parallel beam, and cite the one aberration it does not fix.

Recall Solution

(a) WHAT: plug numbers into the given longitudinal-SA estimate. WHY: it captures the leading falloff of the spherical mirror's focus. The marginal rays focus 2.25 mm nearer than the paraxial focus. (b) A paraboloid is defined as the locus of equal optical path from an on-axis point at infinity to the focus, so all axial parallel rays arrive in phase at one point — zero SA, no error. But it does not fix coma: off-axis parallel bundles still smear into comet-shaped blurs.

L5.2 — Full doublet design (open synthesis)

Design a cemented doublet of focal length that is achromatic for the and lines. Given crown , flint . Find . Then compute the residual chromatic spread if the flint's were mis-specified by (actually ) — i.e. is the doublet still nearly achromatic?

Recall Solution

Step 1 — target power. . Step 2 — solve the two conditions , : Focal lengths: (crown), (flint). Step 3 — sensitivity check. The residual colour power is Compare to a single crown lens of the same power, whose colour power would be . The doublet's residual is about 11% of that — an order of magnitude smaller. Conclusion: even with a glass error the doublet is still strongly (though not perfectly) achromatic. Real designs re-optimise or add a third element to kill this "secondary spectrum."


Recall One-line self-test (reveal)

Stopping down cuts spherical aberration but leaves chromatic untouched — true or false? ::: True; SA scales with aperture height , chromatic is a -driven focal shift independent of .